secretmodigliani.com
| Pfannstiel | Lanthemann | Ceroni | J. Modigliani | Parisot | Patani | Restellini | Wayne |
| Nº 360 | Nº 236 | Nº 151 | YES | 29/1916 | Nº 154 | NO | ? |
Müller Collection, Soleure
David Thompson Collection, Pittsburg
Galerie Beyeler, Basel
?
Private Collection, USA
In process
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 360 (dated in 1920 and as Portrait de Dilewski - illustrated in pl. 47 p. 169
Ceroni, Amedeo Modigliani: Peintre; Suivi des Souvenirs de Lunia Czechowska, Edizioni del Milione, 1958 - nº 136 (dated in 1918)
ponente, 1969 - nº 57
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 236 (names it as Dilewski)
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 151 - Ceroni names the painting as Count Wielhorski, not Dilewski
Schmalenbach, Amedeo Modigliani, Prestel, Munich, 1990, p. 101 - nº 51 as Wielhorski, dated 1918
Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991- nº 29/1916 - Names it as Wielhorski
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 154
Parisot, Modigliani la vita le opere, Carte Segrete / Musée du Montparnase, 2006 - nº 25 as Count Wielhorski
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007
In process
Soleure, Hundert Jahre Malerei sus Solothurner Privatbesitz, Musée de Soleure, 1950 - nº 43
Lausanne, Rythmes et couleurs, Musée des Beaux-Arts, 1952 - nº 49
Bern, Modigliani, Campigli, Sironi, Kunsthalle, 1955 - nº 17 (titled Dilewski)
Basel, Galerie Beyeler, 1986 - nº 35
Martigny, Modigliani, Fondation Pierre Gianadda, 1990 - nº 57 - as Count Wielhorski (Galerie Beyeler)
Düsseldorf, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen, Kunstsammlung Nordrhein-Westfalen, 1991 - nº 43
Zurich, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen, Kunsthaus, 1991
In process
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Daniel Levy, Marc Restellini's US counsel informed in the Art Newspaper (3-Sept-2020) that he was not going to include this painting in his CR
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Detail of the ears where the drawing is clearly visible and is painted over the color (on top of the color)
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Changes of the painting (probably a strong cleaning?)
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The painting framed (unknown origin):
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