Elvira with a white collar

Oil on canvas, 1918?

Date1918?
MediumOil on canvas
Size92 × 65 cm?
CollectionPrivate collection?
SignatureTop right
Investigation 1918-w-12

Identification

Published titles
English: Elvira with a white collar / The girl of the people / The doll girl.
French: La fille du peuple / La fille poupée.
Date
1918? MR dates the canvas 1917–1918.
Medium
Oil on canvas.
Dimensions
92 × 65 cm?
Signature
Signed modigliani at top right.
Present location
Private collection?

Catalogue numbers

Compiler Number
Arthur PfannstielNO?
Joseph Lanthemannno. 322
Ambrogio Ceronino. 269
Jeanne ModiglianiYES
Christian Parisot?
Osvaldo Patanino. 282
Modigliani Project?
MRYES
Modigliani Initiative?

Legal note on MR: This investigation has not had access to MR’s catalogue raisonné; all research here is based on open sources, publications and exhibitions. By no means has that catalogue been copied at any point. Modigliani Project and Modigliani Initiative are marked YES when the work is published or otherwise recorded by those projects, even if no catalogue number is assigned; otherwise the field is marked ?.

Provenance

  1. Léopold Zborowski, Paris (1929).
  2. Paul Guillaume, Paris.
  3. Jonas Netter Collection, Paris? (this investigation, unconfirmed).
  4. Private collection?

The sequence follows the published museum, sale, and catalogue record in this investigation. Gaps and uncertain transfers are marked as such.

Selected bibliography

Book-length publications are marked with a footnote giving a full citation. Exhibition catalogues appear in both this list and the exhibition list when this investigation recorded them in both places. Where this investigation listed a long run of secondary mentions, only the principal catalogues and museum or sale references are retained here.

Exhibitions

Notes

This investigation marks the work as not located in the D’Atri papers.

This investigation records holes at the corners of the canvas. Two of the holes are recorded as covered.

This investigation records a drawn ear painted over the colour.

This investigation records a similar version in the D’Atri papers, 92 × 60 cm, present location unknown.

The original documentation assembled for this investigation marked several fields as still being checked. The facts above are those already published; where sources disagree, both readings are given.

Elvira with a white collar
The painting.
Signature
Signature at top right.
Face
Face as recorded in this investigation.
Ears
Drawn ears painted over the colour.
Framed at the Fabergé Museum, 2017–18
The painting framed at St Petersburg, Fabergé Museum, 2017–18.

Footnotes

  1. Ambrogio Ceroni and Leone Piccioni, I dipinti di Modigliani, Milan, Rizzoli, 1970.
  2. Joseph Lanthemann, Modigliani, catalogue raisonné: sa vie, son œuvre, son art, Barcelona, G. Condal, 1970.
  3. Osvaldo Patani, Modigliani. Catalogo generale, Milan, Leonardo, 1991–94.
  4. Victoria Soto Caba, Modigliani: The Timeless Face, Madrid, Libsa, 2007.
  5. MR, La Collection Jonas Netter, Paris, Pinacothèque de Paris, 2012.