secretmodigliani.com
| Pfannstiel | Lanthemann | Ceroni | J. Modigliani | Parisot | Patani | Restellini | Wayne |
| NO | Nº 414 | NO | YES | ? | NO | YES | ? |
Leopold Zborowski, Paris
Hugh Blaker Collection, London (acquired from the above in 1921?)
Victor Schuster Collection, London
Reid & Lefevre Gallery, London?
James Archdale Collection, Birmingham ( acquired from Schuster through Reid & Lefevre in 1942?)
Perls Galleries, New York (acquired to Archdale in 1974)
Evelyn Sharp Collection (acquired from above in 1975)
In process
?
Meidner, The young Modigliani, Burlington magazine, Vol. XXXII - nº 481, April, 1943, p. 90 fig. D (titled as Jeanne Hébuterne)
Urquhart, The Blaker Diary, “Apollo,” n. LXXVIII, 20 /October / 1963, p. 293-298
Finsen, Modigliani and two Swedish Ladies, “Apollo,” n. LXXXI, February 1965, p. 128-134
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 414 - titled as woman with hat (thora Kinckowström) - dated 1919
Fifield. Modigliani. New York, 1976, pp. 247 - 251
The Evelyn Sharp Collection, The Salomon R. Guggenheim Museum, New York, 1978, pp. 66-67
Royal Academy of Arts, Italian Art in the 20th Century: painting and Sculpture, 1900-1988, Prestel, London, 1989, p. 141
Schmalenbach, Amedeo Modigliani, Prestel, Munich, 1990, p. 133 - nº 81
Decrooq-Restellini, L'Ange au visage grave, Musée du Luxembourg, Paris, 2002 - nº 107, pp. 396-397 - dated in 1919
Klein, Modigliani: Beyond the Myth, The Jewish Museum, 2004-2005, p. 159, pl. 75
Fraquelli, Modigliani and His Models. Exh. cat., Royal Academy of Arts. London, 2006, p. 136
Restellini, Le silence éternel, Pinacotheque de Paris, 2008, p. 183 - wrong location in private Collection (Heirs of Evelyn Sharp Collection)
In process
?
Birmingham, Museum and Art Gallery ?
London, Nineteenth and Twentieth Century French Painting from English Private Collections, Marlborough Fine Art Ltd., 1965
New York, Amedeo Modigliani; loan exhibition, Acquavella Galleries, 1971 - nº 52 (dated 1919)
New York, 30 Major Acquisitions, Perls Galleries, 1975 - nº 20
New York, The Evelyn Sharp Collection, The Salomon R. Guggenheim Museum, 1978
Stockholm, Moderna Museet, Loan by Heirs of Evelyn Sharp
London, Italian Art in the 20th Century: painting and Sculpture, 1900-1988, Royal Academy of Arts, 1989 - nº 65
Düsseldorf , Amedeo Modigliani, Art Gallery of Nordrhein-Westfalen 1991 - nº 83
Zurich, Amedeo Modigliani, Kunsthaus, 1991 - nº 83
Paris, Modigliani: l'ange au visage grave, Musée du Luxembourg, 2002 (curated by Marc Restellini) - nº 107
Milano, Modigliani: l'ange au visage grave, Palazzo Reale, 2003 (curated by Marc Restellini) - nº 72
New York, Modigliani: Beyond the Myth, The Jewish Museum, 2004
Toronto, Modigliani: Beyond the Myth, The Art Gallery of Ontario, 2004 - 2005
Washington D.C., Modigliani: Beyond the Myth, The Phillips Collection, 2005
London, Modigliani and his models, Royal Academy of Arts, 2006 - nº 49
South Korea, Amedeo Modigliani and Jeanne Hébuterne, Aram & Harmony Art Museum of Goyang, 2008 (curated by Marc Restellini)
New York, Loan Sept 2010 to the Metropolitan museum of art by Heirs of Evelyn Sharp
In process
Not in D'Atri papers
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Restellini dates in November 1919 (I guess based in the date of the drawings at the Danish Royal Collection of Graphic Art)
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Signature of the painting:
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Detail of the ears where the drawing is clearly visible and is painted over the color (on top of the color) even the detail of the earrings can
be seen in the black dots under the ear:
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There are various Drawings that could be seen as the sketch for this painting at the The Danish Royal Collection of Graphic Art
1.- Inv. Nº KKS1959-14
with the text:
: " La Vita è un Dono dei Pochi / ai Molti di Coloro che sanno / e che hanno a Coloro / che non sanno e che / non hanno/ Modigliani / 8 rue de la Grande / Chaumière / 2'. h."
2.- Inv. Nº KKS1965-190
with the text:
"modigliani / 11 Novembre / 1919"
