Margherita seated in profile

Oil on canvas, dated 1916 or 1917 according to the compilers

Date1916 / 1917?
MediumOil on canvas
Size73 × 50 cm?
CollectionPrivate collection?
SignatureTop right
Investigation1916-w-45

Identification

Published titles
English: Young woman seated; Margherita seated in profile; Margherita seated.
Date
1916?
Pfannstiel and MR date it 1917.
Medium
Oil on canvas.
Dimensions
73 × 50 cm, recorded with a query. Pfannstiel: 51 × 46 cm. Werner: 80 × 45 cm.
Signature
Signed modigliani at top right.
Present location
Private collection, recorded with a query.

Catalogue numbers

Compiler Number
Arthur Pfannstielno. 156
Joseph Lanthemannno. 158
Ambrogio Ceronino. 130
Jeanne ModiglianiYES?
Christian ParisotYES
Osvaldo Patanino. 132
Modigliani Project?
MRYES
Modigliani Initiative?

Legal note on MR: This investigation has not had access to MR’s catalogue raisonné; all research here is based on open sources, publications and exhibitions. By no means has that catalogue been copied at any point. Modigliani Project and Modigliani Initiative are marked YES when the work is published or otherwise recorded by those projects, even if no catalogue number is assigned; otherwise the field is marked ?.

Provenance

  1. Netter Collection, Paris.
  2. Galerie Zak, Paris.
  3. Galerie Bing, Paris (1929), recorded with a query.
  4. Harry N. Abrams Collection, New York (1953).
  5. Thereafter unpublished.

The sequence follows the published museum, sale, and catalogue record in this investigation. Gaps and uncertain transfers are marked as such.

Selected bibliography

Book-length publications are marked with a footnote giving a full citation. Exhibition catalogues appear in both this list and the exhibition list when this investigation recorded them in both places. Where this investigation listed a long run of secondary mentions, only the principal catalogues and museum or sale references are retained here.

Exhibitions

Notes

D’Atri papers no. 297, dated 1917, size 73 × 45 cm; located at Galerie Bing in 1929. This investigation notes a possible Pfannstiel duplication of numbers 154–155 between this work and the frontal Margherita.

This investigation publishes comparative photographs of appearance before and after cleaning, and notes that in some reproductions the window appears blue.

A detail of hair worked with the brush handle is recorded photographically.

The working notes for this investigation marked several fields as still being checked. The facts above are those already published; where sources disagree, both readings are given.

Margherita seated in profile
Reproduction published in the documentation assembled for this investigation.
Signature
Signature published in the documentation assembled for this investigation.
Comparative appearance
Photographs before and after cleaning.
Window colour in reproduction
Reproduction in which the window appears blue.
Hair detail
Detail of hair published in the documentation assembled for this investigation.

Footnotes

  1. Arthur Pfannstiel, Modigliani. L’Art et la Vie, preface by Louis Latourette, Paris, Seheur, 1929 (presumed catalogue).
  2. Arthur Pfannstiel, Modigliani et son œuvre, étude critique et catalogue raisonné, Paris, Bibliothèque des Arts, 1956.
  3. Ambrogio Ceroni, Amedeo Modigliani: peintre; suivi des souvenirs de Lunia Czechowska, Milan, Edizioni del Milione, 1958.
  4. Joseph Lanthemann, Modigliani, catalogue raisonné: sa vie, son œuvre, son art, Barcelona, G. Condal, 1970.
  5. Ambrogio Ceroni and Leone Piccioni, I dipinti di Modigliani, Milan, Rizzoli, 1970.
  6. Osvaldo Patani, Modigliani. Catalogo generale, Milan, Leonardo, 1991–94.
  7. MR, Modigliani: l’ange au visage grave, Paris, Musée du Luxembourg, 2002.
  8. Victoria Soto Caba, Modigliani: The Timeless Face, Madrid, Libsa, 2007.