nude by amedeo modigliani
Pfannstiel Lanthemann Ceroni J. Modigliani Parisot Patani Restellini Wayne
Nº 198 Nº 238 Nº 148 YES YES Nº151 YES ?
Date 1916 ?
Title Reclining Nude - Reclining nude arms behind the head
Materials Oil on canvas
Size 65.5 x 87 cm
Signature: Signed "modigliani" upper right in white
Actual Location Foundation E.G. Bührle Collection,  Zürich, Switzerland ( Inv. Nº 69)
Provenance -?-

Léopold Zborowski, Paris
Henri-Pierre Roché, Paris (1920)
Bernheim-Jeune, Paris (1929)
Dr. Soubies, Paris
Sale: collection de feu le Docteur Jacques Soubies, Hôtel Drouot, Paris, 13 / December / 1940 - Lot 63 - Sold 34.000 FF
?
Walter Feilchenfeldt, Zürich (1951)
Emil Bührle, Zürich (1951-1956)

Foundation E.G. Bührle Collection,  Zürich, Switzerland ( Inv. Nº 69)
Donated by Heirs of Emil Bührle in 1960

In process

Bibliography -?-

Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface de Louis Latourrettes, Seheur, Paris, 1929, p. 33
Descargues, Amedeo Modigliani. Braun, Paris, 1951, pl. 9
Jedlicka, Modigliani, E. Rentsch, Zürich, 1953, pl. 28
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 198
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 238
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 148
Reidemeister, tiftung Sammlung Emil G. Bührle, Fondation Collection Emil G. Bührle,  Zurich & Munich, 1973 - nº 133
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 151
Maurer,  Stiftung Sammlung E.G. Bührle 42135
Bührle, Die Stiftung Sammlung Emil G. Bührle in Zürich, wiss Institute for Art Research, Zurich, 1998, pl. 9
Decrooq-Restellini, L'Ange au visage grave, Musée du Luxembourg, Paris, 2002, pp. 248-249 - dated 1916
Gloor /Goldin, Foundation E.G. Bührle Collection, Zurich, Catalogue vol. 3, Conegliano & Zurich, 2004 - nº 137
Parisot, Modigliani la vita le opere, Carte Segrete / Musée du Montparnase, 2006 - nº 24
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007

In process

Exhibitions -?-

Paris, Exposition rétrospective des oeuvres de Modigliani, Galerie Montaigne, 1920, p. 8
Paris, Bernheim-Jeune, 1929 - nº 153
Luzern, Moder Art exposition
Paris, Galerie Maurice Renou & Poyet, 1951
Vevey, Maurice Utrillo, Amedeo Modigliani, André Utter, Suzanne Valadon,  Musée Jenisch, 1955 - nº 60
Zurich, Sammlung Emil G. Bührle, Festschrift zu Ehren von Emil G. Bührle zur Eröffnung des Kunsthaus, Kunsthaus Zurich, 1958 - nº 281
Munich, Hauptwerke der Sammlung Emil Georg Bührle–Zürich, Haus del Kunst, 1958-59 - nº 108
Edinburgh, Masterpieces of French Painting from the Bührle Collection, Royal Scottish Academy, 1961 - nº 10
London, Masterpieces of French Painting from the Bührle Collection, National Gallery, 1961 - nº 10
Luzern, Sammlung Emil G. Bührle, Französische Meister von Delacroix bis Matisse, Kunstmuseum Lucerne, 1963 - nº 19
Martigny, Modigliani, Fondation Pierre Gianadda, 1990 - nº 51
Zurich, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen, Kunsthaus, 1991 - nº 8 (not in catalogue)
Lugano, Amedeo Modigliani, Museo d'Arte Moderna, 1999 - nº 24
Paris, Modigliani: l'ange au visage grave, Musée du Luxembourg, 2002 - nº 50
Rome, Modigliani, Complesso del Vittoriano, 2006 - nº 24
Zurich, Van Gogh, Cézanne, Monet, Die Sammlung Bührle zu Gast im Kunsthaus Zürich, Kunsthaus Zurich, 2010 - nº 69
Martigny, Modigliani & the school of Paris, Fondation Pierre Gianadda, 2013
Lausanne, Chefs-d'oeuvre de la collection Bührle, Manet, Cézanne, Monet, Van Gogh, Fondation de l'Hermitage, 2017 - nº 50

In process

Other
Not in D'Atri papers ?

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Signature:
signature

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Detail of the ear where the drawing is clearly visible and is painted over the color (on top of the color)

ear

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the painting framed at Foundation E.G. Bührle Collection,  Zürich:
framed in zurich

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The changes of the color of the painting after cleaning have affected the overall configuration.

cleaning made for the auction

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The painting background, (the blanket under the nude) is also visible in this composition that experts usually date in 1917:

Seated nude amedeo modigliani

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