Jeanne Hebuterne a la cloche by amedeo modigliani
Pfannstiel Lanthemann Ceroni J. Modigliani Parisot Patani Restellini Wayne
Nº 120 Nº 186 Nº 174 YES ? Nº 179 YES ?
Date 1917
Title Jeanne Hébuterne a la cloche - Jeanne Hébuterne with cloche Hat - Girl with blue eyes
Materials Oil on cardboard (Sotheby's by mistake say panel - Restellini say oil on canvas)
Size 67 x 51.5 cm
Signature: Signed "modigliani" bottom right
Actual Location Private Collection?
Provenance -?-

Leopold Zborowski, Paris
Galerie Bing, Paris
Netter Collection, Paris (Acquired 1926 sold in 1929)
E. Bignou Collection, Paris (Acquired in 1929)
Frank Crowninshield Collection, New York (in his collection in 1932 and again in 1938)
( Usually provenance records say Belien Collection, Brussels in1953, but is a mistake with the other Jeanne Hébuterne with large hat)

Edward A. Bragaline Collection (visible in 1963 and again in 1971)
Private Collection?
Sale: Sotheby's, New York, May 1, 1996, lot 44
Private collection, Paris

Sale: Sotheby's, New York, Impressionist & Modern art evening sale - 02-November-2010 - Lot 14
Estimate: 9.000.000 - 12.000.000 USD - Sold: 19.122.500 USD


Private Collection?

In process

Bibliography -?-

Deutsche Kunst und Dekoration, Gemälde von Modigliani, Verlagsanstalt Alexander Koch, XXVIII - July 1925, illutrated p. 203 as woman portrait.
Einstein, Die Kunst des 20. Jahrhunderts, Berlin, 1926 - 1940, p. 231
Salmon, Modigliani, sa vie et son oeuvre,Ed. des Quatres Chemins, Paris, 1926, pl. 3
Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface de Louis Latourrettes, Seheur, Paris, 1929, p. 27 opposite
Einstein, Die Kunst des 20 Jahrhunderts, Berlin, 1931, p. 294
Taguchi, Modigliani, Alier-Sha Tokyo, 1936, pl. 5
Franchi, Modigliani, Arnaud, Firenze, 1944, pl. 8
Goldberg & Navon, Three Jewish Artists, Modigliani- Pascin- Soutine, Hashomer Hatzair, Palestine, 1944, pl. 7
Franchi, Modigliani, Arnaud, Firenze, 1946, pl. 13
Rivista di Livorno, Omaggio a Modigliani, Livorno, July-August 1954, pl. 9
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 120
Ceroni, Amedeo Modigliani: Peintre; Suivi des Souvenirs de Lunia Czechowska, Edizioni del Milione, 1958 - nº 83 (dated 1916-1917 and as oil on canvas)
M. Knoedler & Co., 20th century masters from the Bragaline Collection, 1963 - nº 6
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 186
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 174
Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 179 (as oil on canvas and dated 1917)
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007
Restellini, Le silence éternel, Pinacotheque de Paris, 2008 - pp. 98- 99 (dated in 1917 and incorrectly as oil on canvas)

In process

Exhibitions -?-

New York, Paintings by Amedeo Modigliani 1884-1920, Dehauke & Co. Inc., 1929 - nº 26 (illustrated in the catalogue with incorrect provenance and title) and again as Nº 32
New York, Summer Exhibition: Painting and Sculpture, Museum of Modern Art, 1932 as "girl with blue eyes"
New York, Great Portraits from Impressionism to Modernism, Wildenstein & Co.,  1938 - nº 26
Brussels, La Femme dans l'art français,  Palais des Beaux-Arts, 1953 - nº 92
New York,  Twentieth Century Masters from the Bragaline Collection, For the Benefit of The Museum of Early American Folk Arts, M. Knoedler & Co., Inc.,1963 - nº 6
New York, Amedeo Modigliani; loan exhibition, Acquavella Galleries, Inc. 1971 - nº 22 (Edward A. Bragaline Collection)

In process

Nº 180 in D' Atri papers - Mme. Hebuterne - 64.5 x 52 - dated 1917 - Netter > Bignou


This painting presents holes in the 4 corners, some of them covered by restoration( but the round mark of the pin still visible)


The infra red image show the clear line of the drawing and that the necklace was added after the neck was done in a second stage of the work:

infra red image, jeanne hebuterne a la cloche
  This page is a work on progress, nothing in this page should be considered as final or definitive.