Young woman in yellow

Oil on canvas, 1917?

Date1917?
MediumOil on canvas
Size91.3 × 59.7 cm
CollectionNetter Collection?
SignatureTop right
Investigation 1917-w-77

Identification

Published titles
English: Young woman with a small collar / Young woman in yellow / Girl with a lace collar / School girl with a white collar.
Date
1917? Lanthemann dates the work 1918.
Medium
Oil on canvas.
Dimensions
91.3 × 59.7 cm.
Signature
Signed modigliani at top right.
Present location
Netter Collection?

Catalogue numbers

Compiler Number
Arthur Pfannstielno. 199
Joseph Lanthemannno. 327
Ambrogio Ceronino. 213
Jeanne ModiglianiYES
Christian Parisot?
Osvaldo Patanino. 219
Modigliani Project?
MRYES
Modigliani Initiative?

Legal note on MR: This investigation has not had access to MR’s catalogue raisonné; all research here is based on open sources, publications and exhibitions. By no means has that catalogue been copied at any point. Modigliani Project and Modigliani Initiative are marked YES when the work is published or otherwise recorded by those projects, even if no catalogue number is assigned; otherwise the field is marked ?.

Provenance

  1. Léopold Zborowski, Paris (1928).
  2. Paul Guillaume, Paris? (this investigation marks this step as probably wrong).
  3. Galerie Bernheim-Jeune, Paris.
  4. Netter Collection, Paris (1933).

The sequence follows the published museum, sale, and catalogue record in this investigation. Gaps and uncertain transfers are marked as such.

Selected bibliography

Book-length publications are marked with a footnote giving a full citation. Exhibition catalogues appear in both this list and the exhibition list when this investigation recorded them in both places. Where this investigation listed a long run of secondary mentions, only the principal catalogues and museum or sale references are retained here.

Exhibitions

Notes

D’Atri papers no. 36, as young girl / schoolgirl with white collar, dated 1917, provenance Zborowski 1928 → Guillaume → Netter 1933.

This investigation records holes at the corners of the support. One hole is recorded as covered by restoration.

This investigation records a very thin or absent ground, with raw linen visible in places and a thin white primer in others, and black borders indicating that the canvas was painted before it was nailed to the present stretcher.

A comparison with the Barnes boy in a sailor suit (1917-w-61) is published in this investigation: similar background, without the furniture and horizontal line of the Barnes picture.

This investigation records a drawn ear painted over the colour.

A copy after this composition by Elmyr de Hory is reproduced in this investigation.

The original documentation assembled for this investigation marked several fields as still being checked. The facts above are those already published; where sources disagree, both readings are given.

Young woman in yellow
The painting as reproduced in this investigation.
Signature
Signature at top right.
Ground
Thin or absent ground, raw linen visible in places.
Black borders
Black borders along the stretcher.
Comparison with the Barnes boy
Background compared with the Barnes boy in a sailor suit.
Hands compared
Hands compared with the Barnes boy.
St Petersburg, 2017–18
The painting as framed at the Fabergé Museum.
Copy by Elmyr de Hory
Copy after this composition, as published in this investigation.

Footnotes

  1. Arthur Pfannstiel, Modigliani. L’Art et la Vie, preface by Louis Latourette, Paris, Seheur, 1929 (presumed catalogue).
  2. Arthur Pfannstiel, Modigliani et son œuvre, étude critique et catalogue raisonné, Paris, Bibliothèque des Arts, 1956.
  3. Jeanne Modigliani, Modigliani: Man and Myth, New York, Orion Press, 1958.
  4. Joseph Lanthemann, Modigliani, catalogue raisonné: sa vie, son œuvre, son art, Barcelona, G. Condal, 1970.
  5. Ambrogio Ceroni and Leone Piccioni, I dipinti di Modigliani, Milan, Rizzoli, 1970.
  6. Osvaldo Patani, Modigliani. Catalogo generale, Milan, Leonardo, 1991–94.
  7. MR, La collection Jonas Netter, Paris, Pinacothèque de Paris, 2012.
  8. Victoria Soto Caba, Modigliani: The Timeless Face, Madrid, Libsa, 2007.