Frank Burty Haviland

Identification

Title

English: Frank Burty Haviland.

Date

1914 ? (1955 exhib. 1915)

Medium

Oil on cardboard (Ceroni oil on paper)

Dimensions

72.5 × 59.5 cm (Pfannstiel 65 x 50 - Ceroni 73 x 60 - 1958 exh. 73 x 80)

Signature

Unsigned

Present location

Gianni Mattioli Coll. Milano?

Catalogue numbers

Legal note on MR: This investigation has not had access to MR’s catalogue raisonné; all research here is based on open sources, publications and exhibitions. By no means has that catalogue been copied at any point. Modigliani Project and Modigliani Initiative are marked YES when the work is published or otherwise recorded by those projects, even if no catalogue number is assigned; otherwise the field is marked ?.

Provenance

1. Burty Haviland Coll. Paris?
2. C. Zamaron Coll. Paris
3. Sale: Hotel Drouot 20/10/1926, Paris
4. Adolphe Basler
5. Coll. Paris (by 1929)
6. Reinke Coll. Ueberlingen
7. Marcel Bernheim, Paris (1931)
8. Italico Brass, Venezia (1949)?
9. Gianni Mattioli Coll. Milano
10. Loan to Peggy Guggenheim Collection, Venice (until 2017)
11. Mattioli Coll. Milano?

The sequence follows the published museum, sale, and catalogue record in this investigation. Gaps and uncertain transfers are marked as such.

Selected bibliography

Book-length publications are marked with a footnote giving a full citation. Exhibition catalogues appear in both this list and the exhibition list when this investigation recorded them in both places.

• Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface by Louis Latourette, Seheur, Paris, 1929, p. 71
• Carrieri, 12 opere di Amedeo Modigliani, Ed. del Milione, Milano 1950, pl. 1
• Cahier d' Art, Paris, 1950, p. 175
• Scheiwiller, Arte Moderna Italiana no. 8 Amedeo Modigliani, U. Hoepli Ed. Milan, 1950 pl. 2
• T. Soby, Museum of Modern art, New York, catalogue exp. Modigliani, 1951, p.20
• Florence, Palazzo Strozzi 1953, pl. 12
• Marchiori, Milano, 1953
• T.Soby, New York, 1954, p. 16
• Lipchitz, New York, 1954, pl. 5
• Descargues, Modigliani, 1954, p1. l3
• Valsecchi, Amedeo Modigliani, Milano
• 1955?, pl. 7
• Pfannstiel, Modigliani et son œuvre, étude critique et catalogue raisonné, Bibliothèque des Arts, Paris, 1956- no. 342
• Russoli,Catalogue de l’exposition de Palazzo Reale, Milan, 1958, p1. 8
• Russoli, Silvana Editoriale d’Arte Milano, 1958, p1.3
• Jeanne Modigliani, Modigliani: Man and Myth, Orion Press, New York, 1958, p. 75 (Just a general information, no explanation on both portraits)
• Ceroni, Amedeo Modigliani: Peintre; Suivi des Souvenirs de Lunia Czechowska, Edizioni del Milione, 1958- no. 344
• Roy, Modigliani, Skira, Lausanne, 1958, p. 37
• Werner, Amedeo Modigliani, 1968, p. 86
• C.Geza, Checoslovakia 1969, no. 9
• Ponente, Modigliani, Paris 1969, no. 10
• Lanthemann, Modigliani, catalogue raisonné: sa vie, son œuvre, son art, G. Condal, Barcelona, 1970 - no. 475
• Ceroni & Piccioni, I dipinti di Modigliani, Rizzoli, Milano, 1970 - no. 446
• Arno, Modigliani, New York 1972,p. 20
• Valsecchi, Arte moderna a Milano, Ed. Cariplo 1976, p. 114
• Diehl,1977, p. 23
• Mann, 1980, p. 95, no. 607
• Lassaigne, 1981, no. 44
• Castieau—Barrielle, Modigliani, ACR Ed. 1987, p. 1098
• Orion Press, Tokyo 1989, no. 7
• Catalogue de l’exposition à la Fondation Pierre Gianadda, Martigny 1990,p. 101, 11° 28
• Parisot, Catalogue Raisonné Modigliani, Graphis Arte, 1991 - no. 6/1914
• Patani, Catalogo Generale, Leonardo ed. Milano 1991-94 - no. 4910
• Parisot, Modigliani, Pierre Terrail, Paris, 1992, p. 5311
• Fraquelli / Rosenthal, Modigliani and His Models, London, 2006, p. 81 - no. 512
• Soto Caba, Modigliani, the timeless face, Libsa, 2007
• MART Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Modigliani scultore, 2011
• Ireson, Fraquelli, Modigliani, London, Tate Modern, Skira Rizzoli, London, 2017, p. 10514

Exhibitions

• Paris, Galerie Bernheim Jeune, 1931 - no. 1 - dated in 1912
• Brussels,
• Palais des Beaux-Arts, 1950
• Amsterdam, Stadelijk Museum 1950
• Paris, Musée .National d ’Art Moderne 1950
• London, Tate Gallery 1950
• Cleveland, Museum of Art, Modigliani: Paintings, Drawings, Sculpture, 1951, p. 20
• New York, The Museum of Modern Art, Modigliani: Paintings, Drawings, Sculpture, 1951, p. 20
• Florence, Palazzo Strozzi 1953, pl. 12
• Bern, Modigliani Campigli Sironi, Kunsthalle Bern, 1955 - no. 5
• Milano, Palazzo Reale, 1958 - no. 8
• Torino, Galleria civica d'Arte Moderna, 1959
• Washington, The collection of Gianni Mattioli. Phillips collection, 1967
• Dallas, The collection of Gianni Mattioli. Dallas Museum of Art, 1967
• San Francisco, The collection of Gianni Mattioli. San Francisco Museum of Art, 1968
• Detroit, The collection of Gianni Mattioli. Detroit Institute of Arts, 1968
• Kansas, The collection of Gianni Mattioli. William R. Nelson Gallery, 1968
• Boston, The collection of Gianni Mattioli. Boston Museum of Fine Arts, 1969
• New York,
• The collection of Gianni Mattioli. Olivetti, 1969
• Tchécoslovaquie, 1969 - no. 9
• Kyoto, The collection of Gianni Mattioli, The National Museum of Modern Art - 1972 no. 70
• Tokyo, The collection of Gianni Mattioli, The National Museum of Modern Art - 1972 no. 70
• Liege, Musée Saint- Georges, 1980 - no. 11
• Martigny, Fondation Pierre Gianadda, Modigliani, 1990 - no. 28
• London, Modigliani and his models, Royal Academy of Arts, 2006 - no. 5
• Bonn, Amedeo Modigliani: Ein Mythos der Moderne, Bundesrepublik, 2009 - no. 32
• Trento, Modigliani scultore, MART Museo di Arte Moderna e Contemporanea di Trento e Rovereto, 2011
• London, Modigliani, Tate Modern, 2017-2018

Notes

no. 269 in D’Atri papers - oil on cardboard - no size - unsigned - 1915? - provenance: Zamaron Coll. > Basler Coll. by 1929 > Reinke Coll. Uberlingen

Ear:

Image of the two portraits of Burty Haviland:

Pencil sketch for this portrait actually at the Musée d'Art Moderne de la Ville de Paris:

The painting framed at Mart Rovereto exhibit in

2011:

Where sources disagree, both readings are given. This is a working research page, not a catalogue raisonné.